レビュー

Song still has awesome bassline as I remembered. And white BGA that never works in old titles works now thanks to the noteskin.

BUT this song's visual is rough. You can see the logo font die cut job that's not clean around the edge (0:17), the white room with obvious overlapping seams on the floor (0:29), bad kerning on Oh Jesus (0:39), finger that's enlarged way past its limit and should have been vector (0:50), the scale of justice used in the beginning that should have easily been vector is raster and when enlarge looks very bad (1:08), questionable saturated blue and magenta color for the flash of scale while other elements use pastel colors (1:14), this heart also using saturated blue but seems like correct tone of pink (1:52) and that scale on the heart was not close enough in depth to the heart causing it to drift... I guess the game doesn't have enough QC and multiple background animators, and this one got short end of the stick. 0:41 this manga panel transition is awesome, though!

About scoring on this song, it is not easy because a lot are regularly on disconnected 16th note. After many pauses in beat, it likes to resume on 8th beat (upbeat). Throughout this song I ad-lib very often to make this upbeat hit more accurate by filling in the 4th beat prior to it. The entire song is pretty much this to be aware of.

1:26 : Small challenge on these 4-note 24th arrows. It might go unnoticed because the line telling that they are on triplet grid is green, which is almost invisible on white background. This also that some sort of QC personnel should be able to catch...

1:58 : This is slightly dangerous as it's the first time the colored arrows are up or down. Also it is followed by down-down-up-up arrows, which is a pattern to make you had to travel large distance for both sides. At this BPM it is nothing, but in Wai Wai Party it is used as one of the hardest pattern in 神 (Kami), one of the final boss pack songs.